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The FX3 quickly became our go-to camera due to its quality, versatility and size.
However, from my experience the camera could do with bulking up a bit.
The original Sony FX3 with an XLR adaptor and the FE 16-35mm F2.8 GM lens attached.
The audio handle is abrilliantaddition to the original FX3 camera giving it full size dual XRL inputs.
Any feature that gives you one less thing to worry about on set is welcome in my book.
What I pray won’t happen
I really hope Sony doesn’t remove the on-body mounting points.
(Image credit: Sony)
Possibly controversial, but I think that these havent really been utilized to their potential, yet.
We’re otherwise limited to third party cage makers, such as SmallRig.
Before I finish, one little bonus request in-camera false color.
To get the maximum possible video quality from the FX3, you need an external monitor, through which you can record a higher bit depth.(Image credit: Sony)
However, Im keeping my eye out for a potential FX3 II upgrade.
Either way, I’ll be enjoying a camera capable of the extraordinary.
The Sony FX3 is blessed with several mounting points for cages and accessories – I hope the rumored FX3 II’s design follows suit.(Image credit: Sony)
Might Sony match the Panasonic Lumix GH7 with 32-bit float audio through an XLR adaptor?(Image credit: Sony)
(Image credit: Sony)
