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I recently had the chance to enjoy two of my loves in one evening: soccer and cameras.

They really, really needed a win.

Manchester City forward Jeremy Doku takes on defender Ola Aina

With 50MP to play with, it’s better to shoot wider and crop in after to ensure you capture the action.(Image credit: Future / Tim Coleman)

It delivers 50MP photos at rates of up to 30fps, and is packing Sonys latest and best autofocus.

I was sure to make superb images, right?

So what did I learn from the night?

Closeup of the Sony A1 II mirrorless camera’s drive mode dial, outdoors on a tripod with autumn leaves background

With 50MP to play with, it’s better to shoot wider and crop in after to ensure you capture the action.(Image credit: Future / Tim Coleman)

Here are five pointers.

The Sony A1 II has 63 pages in its main menu alone!

That’s especially true for the Sony A1 II which has a whopping 50MP to play with.

Manchester City player Jeremy Doke dribbling the ball, defended by Ola Aina

With 50MP to play with, it’s better to shoot wider and crop in after to ensure you capture the action.(Image credit: Future / Tim Coleman)

I could heavily crop my photos and still have plenty of detail.

The sharpness wasnt far off in some photos, while other photos were pin sharp.

Looks like I had the wrong Optical SteadyShot mode in play.

Manchester City player Jeremy Doke dribbling the ball, defended by Ola Aina

I cropped into the 50MP original for this 21MP image – roughly a 1.5x crop. In lens terms, it’s like upping the 400mm used for this shot to 600mm.(Image credit: Future / Tim Coleman)

It doesnt auto switch to the other card slot like almost all other brands.

However at the crucial moment card slot one became full.

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Manchester City player Jeremy Doke dribbling the ball, defended by Ola Aina

Here’s the original photo, uncropped.(Image credit: Future / Tim Coleman)

Manchester City player Ilkay Gundogan kicking ball during Premier League match

This photo was taken with a 1/500sec shutter speed which is not quite quick enough to fully freeze the action – see the kicker’s slightly blurred foot.

Manchester City player Jack Grealish kicking ball during Premier League match, tracked by Morgan Gibbs-White

This image appears fine at a glance, but look closely at 100% and detail is a little soft – that’s down to the incorrect optical stabilization mode being used.(Image credit: Tim Coleman)

Manchester City player Jack Grealish kicking ball during Premier League match, tracked by Morgan Gibbs-White

Check out the player on the left’s sleeve where you can see the image isn’t as sharp as it could be. Focusing isn’t the issue.(Image credit: Tim Coleman)

Sony A1 II mirrorless camera’s memory card door open with card inside and autumn leaves background